There are not that many things in this world you could justly qualify as being the optimum of their respective category. The epitome of what human beings can achieve with maximal effort at a given moment in time and space. To listen to or even own something falling in this category ranks among the more memorable experiences we can have on this earth. One can very well exist outside of the reality distortion field these things project. But there are many people who – once they had an epiphany like this – understandably prefer not to.
No Compromise Whatsoever
The PRE G2, our uber-reference preamplifier, is simply the richest source of pure sound imaginable. With maximum resolution and total freedom from coloration, rough- and fine-dynamical precision and stunning spatial accentuation, the PRE G2 reproduces music in all its natural texture and abundance.
Compromise is a concept foreign to the PRE G2. Benefitting from the fruits of our cutting-edge research and development, the Audionet engineers devised and tested every detail with painstaking accuracy. The circuitry concept is state-of-the-art, the standard of assembly is flawless, and every component was selected meticulously. As nothing else satisfies our requirements, we manufacture our own operation amplifiers, pulse transmitters and signal cables for the PRE G2.
The Volume is regulated with an electronic precision resistance network that linearizes in real time. Signal-carrying and controlling functions are optically separated. Input and output circuits are immune to negative influences from connected equipment. Thus the PRE G2 has re-defined the bounds of the possible. Noise, distortion and crosstalk are practically eliminated. All information is presented on a large display, every function is remotely controllable.
PRE G2, the definitive answer to the pre-amplifier question. Or, to say it in the words of Lukretius: Man can understand the nature of things.
Cream of the Crop
Every sound-critical point in the Pre G2 is fitted exclusively with the finest components available worldwide, many of which are custom-made for Audionet. The selected filter capacitors, for example, or the bulk of our high-audiograde electrolyte capacitors with a dielectric made of silk. We fit mica capacitors, insert selected high-voltage foil capacitors and use high-quality silver-gold alloys for our internal wiring.
The double mono set-up guarantees complete channel separation. SMD miniature technology optimizes the high frequency properties, and the magnetically and capacity-optimized chassis and circuit prevents interference. Controlling and signal processing units are optically decoupled to prevent feedback on the source signal. That no electromechanical elements were used underlines the pains taken to leave the music signal as untouched as possible. The volume is regulated by electronically switched precision resistors. The chassis is non-sensitive to microphonic effects.
Every channel has a dedicated encased 100 VA toroid core transformer, two special audio capacitors with 41,000 uF and fast, discrete regulators to ensure a stable supply voltage. Additionally the voltage is smoothed locally by 12 discrete regulators to each channel. The control unit has its own power supply.
All operational amplifiers in the signal path are discrete and optimized. The 10 operational amplifier modules have a gain-bandwidth product of 1.5 GHz. The input operational amplifiers have almost infinite input impedance and a constant capacity. As a result, they do not load the signal source.
The signal and ground of the inputs are switched via gold-coated precision relays. The output operational amplifiers are class-A amplifiers with high bias current and are non-sensitive to power amplifier reflux.
A microprocessor controls and regulates all functions and informs the user via a dimmable display. The inputs can be named, and different input signal levels corrected. Other devices can be switched on via Audionet link. All functions can be controlled remotely. Source signals containing DC components can be compensated for.
Chassis and circuit design magnetically and capacitively optimized
Double mono construction
Controlling and signal processing units are optically decoupled
Electronically switched, real time linearised high precision resistor network for volume and balance
Completely DC-coupled, no capacitors in the signal path
Two individual encapsulated 100 VA toroid core transformer
Special audio capacitors with together 164.000 µF capacity
Input buffer with a virtual infinite input impedance
Extra power supply for the control unit
Discrete realized Audionet output drivers
Home cinema mode for home cinema integration
Chassis insensitive against microphonic effects (made of massive aluminium)
Remote activation over Audionet Link (optical waveguide)
Mains phase recognition
Audionet Metal Remote Control RC 1
In- and Outputs
5 pair Furutech RCA line, gold-plated
1 pair XLR symmetric, gold-plated
1 pair Furutech RCA line, gold-plated
1 pair Furutech RCA inverting, gold-plated
2 pair XLR symmetric, gold-plated
1 pair Furutech RCA Monitor, gold-plated
Additional earth connection:
1 screw, gold-plated